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Saturday, 16 April 2011

The Art of Networking

 I'd say even the most confident person gets a tinge of nerves when entering a room full of strangers. I recently attended a European festivals conference, I went by myself to Budapest to spend 3 days with 20 people I had never met before. What brought us together was a like mindedness. We agree in the need to network festivals.
Will we like each other is the question? In my experience of conference it doesn't take long to find common ground, it begins with small talk, then light discussions on our work background and whom we represent, then we find common amusements and finally deep discussion about policy and politics.

When I am networking I have to go into a specific 'mode' to do it successfully. I love nothing more than meeting new people and finding out what floats our boats, our similar views and our agendas for the future.  

I paid attention to the art of 'successful networking' on this particular conference and tried to stay in a mode / frame of mind, which I realised worked best. I am not saying I was fake, actually the opposite, I find I make the best progress in making connections, friends and colleagues when I am my 'best me' - smiley, fun, reactionary, interested and interesting. I actually imagine myself to have the attitude of a beautiful French woman in a coffee advert, she got something which turns heads and captures the attention of every person as she saunter light footed, swinging her bag over her shoulder, into a 1930's café. She would do something like I wink at the waiter as she pinched a lolly from the counter!! Too much??? It May sound absurd but confidence is a perception and whatever makes you stand tall and walk with a spring in your step will work.

I start the conference with a dignified, quiet and humble disposition, happy to talk and make friends with new people, but I don’t let myself seem over confident. I am working out who is who and who are friends with whom. Quite often a conference is full of clicks and old friends so I see how people are reacting to each other. It doesn't take long to work out who are the important, who are the shy and who are the alphas or 'most fun'. I make sure I meet these key people.
The first night I don't stay up to late but am not the first to leave either. Next morning at breakfast, I am smiley and greet everyone I recognise, even if I haven’t spoken to them yet. I sit at an already occupied table, asking if they stayed up late, slept well etc. Then ask questions even if I know the answer, like... Do you know what is happening today? What time are we starting, not only does it create conversation, but it makes the questioned feel helpful and knowledgeable.

The night before I have established who the member of the party is who people feel most drawn to, it is more often than not, the most fun person. I try to stay close to them, sit near them and start conversations. If you are subtle and friendly, the rest of the conference members may now see you in the same way! They, hopefully, will be drawn to you and want to converse with you... At this conference it worked for me and now I am in a good position. I haven’t been fake but I have been observant and made the most of the members.

The next evening I stayed up a little later, being careful to not over do it, have fun with the other delegates, make jokes and have a few drinks. If drinking alcohol, it is very very important not to get drunk! One you will probably make a fool of yourself and loose all the respect you have worked hard at building but you will feel so awful the next day that the conference workshops will be pointless and your communication skills will be minimal... May as well go home!!!

The more open and myself I am the quicker and the better I get to know the delegate. I make genuine good friendships within hours. If you are lagging (networking is exhausting as it takes mental and physical alertness), take a deep breath sit up straight and tall and smile… works every time.

Top tips for conference networking. Smile, be interested in the people, ask questions and occasionally act slightly aloof or busy. Always swap as many business cards as possible and write on the ones you receive something about the person who gave it to you, guaranteed you will forget whose card is who otherwise. On the final day you can hand out information on your projects and company, this way the people you meet will be much more likely to be interest in your documents as they now know who you are, also they can read them on the journey home.
Always follow up every connection with an ‘it was great to meet you’ email, and say let's stay in touch- and mean it!

Happy networking!



Friday, 11 March 2011

30 Nov 2010 - MBA to Edinburgh

Today is going to be a busy day I finish my 'mini MBA' at the Henley Business School then I am jumping on the over night train to Edinburgh to see the Edinburgh Fringe and Edinburgh Festivals Managers.


The 'Start up Accelerator' Course, run by the TVIG, has been amazing. It's 5 days each 12 hours long of power packed business strategy, every second was relevant and the tuition was so good the long days haven't lagged at all. It has been set in the beautiful grounds of the Henley Business School, which is 'world-ranked' one of the leading business training centres. I felt like I was on The Apprentice every time I drove, past the sheep and cows, down the long drive onto the grounds. What is so nice about HBS is that, when you are set to work on your own, you can wonder down to the banks of the Thames, sit on a bench and watch the rowing. It's a very head clearing place to work.


The Course is aimed at high growth businesses with a turnover of less than £500k. We were set to review our policy's and business plans. It really opened my eyes to what it means to run a company. It's all very well having a good idea but if you don't know how to make it work then it's worthless. One of the biggest things I learnt is that when running your own company you 'work on it not in it' this has given me the tools to let go of areas of development and trust in my team to do the work. It's simple and obvious but also a bit of a revelation!


Its very early in the morning and I will get to bed very late after having a very intensive day... but this is what life is all about and I love it!







14 Jan 2011 - World Festival Network Away day

This weekend the WFN all got together to discuss the companies ambitions. We were at my house in the country and around nice food, country walks and catch ups we worked though some excellent plans and clarified some major issues and future objectives. 


In the party was Jess Huffman, Joanna Petkiewicz, Aimee Payton, Cath Mattos and me. We discussed policy, time line, funding, objectives and marketing. Some really fantastic ideas came out of the round table all day conference.


In business, when starting your own company it is really important to surround yourself with vibrant people, with fresh ideas. It injects enthusiasm into your plans and even though the World Festival Network has the most exciting prospects, of which i never tire, I need these kind of people around me. THANKS LADIES xxx


This is what we came up with...


World Festival Network Strategic Objectives
Create a means to unite all who are involved in the festival industry. To make Festival information useful and more accessible. To encourage audiences, travel, synergies and collaboration. To expose issues, keep the industry fresh, up to date with political agendas, highlight global developments and to monitor trends.

World Festival Network Operational Objectives
Amass an on an offline festival community and information hub via listings & networking events. To feed back and disseminate information & opportunities via, education, introduction, research, online tools, legal information, guides and the cultivation and development of good working practice and standards.




Thursday, 2 December 2010

November 23rd 2010- Mole Valley

As part of my BAFA executive role I occasionally get asked advice on what's going on, or asked to speak
At talks and workshops. This evening I had the opportunity to meet a new festival and it's family!

Arts-alive is a mixed arts festival, part programmed, part open access, in and around Dorking. It is currently
Coordinated by the council and has been going for about 15 years.
Times are a-changing and Kath (the coordinator) would like to bring the festival Up to date allowing it to flourish and become an event on the World Festival map. The current set up reminds me a lot of how the Brighton Fringe was in 2001, it was part of the International festival, not the council, but it too had come to a point that to give it an identity and do justice to its performers and artists, something radical had to be done.

Arts-alive are in the very early, discussion and workshop phase at the moment, and like in Brighton, half the people were happy with the format (mostly the visual and classical arts) and the other half were up for new ideas. I gave and 'uplifting and motivational' speech about the Brighton Fringe, how the changes happened and how I founded and re-branded it into the 3rd largest fringe in the world.

I also stayed for the workshop, to submit suggestions about ideas for the future, What could change, what's new and what should stay the same. They are a really lovely group of people and it's a festival to watch. Its going through Some exciting times!

1st Nov 2010 - Edinburgh- World Festival Summit

How marvellous! My train is delayed for 3 hours and I am delighted... If you have never got the Caledonia sleeper to Scotland, you normally get on late and get off at the crack of dawn not waking up till it's pulling into the station, getting dressed in 1.5 mins flat jumping onto the station, make up down your face and your skirt on back to front, wondering if you have actually woken up yet!
So this morning I are leisurely rocking through the midlands with a cup of tea at nearly 9am!

The reason for my visit to our festival city was to discuss how to go forward With the World Festival Networks' initiative of the World Festival Summit. I was meeting Faith Liddle and Amy Saunders from Festivals Edinburgh
And Kath Mainland and Christabelle from the Edinburgh Fringe. It was a round table power house of to the point ideas, progressive strategy (Millionising- that ones for you Kath!) Conversation.
It maybe one of the most constructive meetings I have ever been a part of! We Obviously will work amazingly together, great news for the summit, great news for the Delegates and great news for the festival sector as a whole I'd say!

More will be updated on this subject soon, but in the mean time, 2 dates for your diary, august 2012 and 2014 Edinburgh, these dates could change your 'festival' life!

Tuesday, 20 April 2010

20 April 2010 - Thames Valley, What the Sex Pistols can teach us about sales and marketing

Early start for a breakfast seminar at The Thames Valley Innovation & Growth Team.

I love these talks they are really worth while and of a very high standard. Today our speaker was Grant Leboff an entrepreneur who has bought and sold company's and has a true understanding of what the future holds for business in regards to marketing and the world wide web.

The whole lecture was in layman's terms and I totally related to everything he was saying. Most other attendees are grey suits with old established company's and they struggle to get their heads round the web and what it means for their business and their marketing campaigns.

I am a sucker for stats and he had some great ones such as...when Bill Clinton became president of the US in 1993 there were only 50 sites on the WWW. When he left in 2001 there were over 3 million. This kind of growth is really unfathomable but we all just accepted it and got involved. He compared it to when print was invented and that in 1450 there were no books and in 1500 there were 25 million printed.

We forget to easily that we only really were first ever online in 1993 (what did you first do? i searched for jokes!... in 1999). He also reminded us that in 1990 only 1 in 60 people had a mobile phone (no one texted until '92), there was only BT to choose from for our home lines, no low cost airlines and only 4 channels on TV. Things have changed so fast and we are presented with so much information and we find that we are now tempted towards a product or a business by an 'experience' there are so many products that they have become dull, we want more.

He talked about how in the past sales was all about shouting the loudest to be noticed and gain sales. Now it is the opposite and business wait for people to come to them, via information sharing, blogs, Facebook, twitter. We get annoyed now when we get bombarded or 'shouted at' by organisations, because there is so much information out there too digest. One of the reasons Google are so successful, because they filter information for us - Same was at the World Festival Network will filter information on festivals.

There was much food for thought from Grant, he was an excellent speaker and I thoroughly recommend you see him if you can.

Wednesday, 24 February 2010

24 Feb 2010 - Amnesty, Chicago, BAFA, London Fringe

Today I ran about London in a festival frenzy meeting some fantastic people.

I started off in the Amnesty International Office with Jo Metcalf, a really lovely lady who I met at the BAFA conference last year, she is responsible for, amongst many other things I am sure, for getting the word out about Amnesty's 50th Anniversary next year. Her task is to get as many Amnesty International events in festivals around the globe, as well as some larger show case events. We thought there is a lot that the World Festival Network can do to help spread the word and get Festivals on board. So we discussed partnerships etc and it was good to see her again and see the amazing Amnesty offices too,t here is a great venue there, which i didn't realise and it is used all the time for events and gigs etc.

I ran from Liverpool Street to the BAFA offices to talk about the board meeting tomorrow (another all dayer) and to have a general catch up, then I walked a little way down the road to the Crypt an under ground Cafe near Trafalgar Square. I met up with Adrienne, who is the international correspondent for the Chicago Fringe, a new festival for 2010. I was asked on the Advisory committee, but they are so organised and sorted that I question if they need my help. The Fringe is based on the CAFF model so the performing company's apply to be a part of the festival and then they are drawn from a lottery. Adrienne was really lovely and I am glad i met her, I passed her details on to the London Fringe in case she wanted to get onto the organisers group....

Talking about the London Fringe, I went down to Elephant and Castle to meet Greg and Gillian to have a pre-meet meet and discuss the agenda for the meeting. I knew it would be a long one but I was still there at 11pm! Hopefully we got a lot done but there were a few issues which went round in circles for an hour or two and i am not sure if they were resolved... I got a late bus to Brixton to stay with my friend Kate.

Long Day....

www.worldfestivalnet.com

Tuesday, 23 February 2010

23 Feb 2010 - John Park, London

I have been trying to catch up with John for weeks, months and years properly. So i thought right I am just going to get on the train and meet up. 
John has introduced me to a brilliant London meeting place. RIBA (The Royal Institute of British Architects) if you go in (while wowing at the huge marble stair case) go up stairs and there is a fab cafe, which does excellent coffee. It has a calm atmosphere, huge art deco doors and windows, it's really quite beautiful.


So I get there early (amazingly), John, as you will know if you have met him, is excellent to talk to. I was prepared for a long chat and putting the world to rights several times over. We discussed Fringe Report, London Fringe, World Festival Network, Life, love and all that goes with that.


John has such an amazing energy for discussing anything creative and has some lovely ideas about how the WFN should be represented and received. He persuaded me to do this blog (but years and years ago when I wrote the first one) and he suggested I make a video of me talking about the World Festival Network and what it does... good idea, I will need some good lighting! ;-)


4 hours later and a 'too much coffee buzz' We part. It was great to see John and I feel like I have topped up my Park's!



Monday, 22 February 2010

22 Feb 2010 - Oxford Fringe Launch, Oxford

I had an invite from the lovely lady's Sarah and Heather form the Oxford Fringe. So we drove up and arrived on time to the bar where it was held, there was a good turn out and we were welcomed by Heather, who gave us some drinks vouchers (happy days), there was a bit of mingling and then with out delay we went straight into the showcase. There was a mix of comedy, music and poetry (which was my favourite) AF Harrold, funny looking funny poet, really excellent and very comfortable on stage.

I had a chance to sit down with Sarah and Heather after the show and we had a good chin wag about how it was going. Everyone works hard in festivals but these two ladies are running a 3 week long festival with over 200 events, programming and managing the venues themselves, managing the launch, staff, box office, website, design etc etc (basically everything and more than normal) but the difference is they both have full time jobs as well! Amazing I have a lot of respect for them they must be exhausted, they are exhausted and the festival hasn't even started yet. I asked if they would have a slight rest-bite before the festival starts, they said no as now they have to get on with all the out door events... yikes!!!

www.worldfestivalnet.com

Monday, 8 February 2010

8 Feb 2010 - Fringe Report Awards, London

Nipped on a train up to London for the Fringe Report Awards, met up with my lovely new friend, Jenny from the London Fringe, on the way into Leicester Square theatre. Luckily my name was on the door list as I only told John a couple of days ago I could make it.


Anyway it was my first time in the theatre and it is great, such an amazing location for the artists that Martin Witts Programmes. I was impressed for so many reasons 
1) the turn out, it was totally packed out 
2) there was free wine 
3) I saw so many people I knew, Anthony Alderson- Pleasance Theatre, Nick Brice - Bitesize, Nicky - Upstairs at 3 and Ten, Loads of London Fringers (Charles, Belinda, Tracey, Greg and more), John Park of course - the Man of the moment, Holly from Brighton (that's not me), some performers I had been emailing and it goes on and on. It's obviously the place to be so get your invite for next year. 
4) the awards were so well received (actually i wasn't surprised about that) and they were so well organised 
5) there was food after as well! We were so well looked after.


It was a whirl wind of an evening as I was only there for about 3 and an half hours, unfortunately I had too dash out the door and run to Paddington (I always seem to be running in Paddington Station) so I didn't have to get the grim last train home, which no one should ever have to get on... needless to say i missed the train because I was having to much fun in Leicester Square and had to get on the scary last train home!


Here is the link to the awards http://www.fringereport.com/10awards.php
Thanks to Mr Park for a superb evening.


www.worldfestivalnet.com



Tuesday, 2 February 2010

2 Feb 2010 - London Fringe Networking event

The London Fringe hold an open, evening meeting every 2 weeks at the Phoenix Bar in London.

I didn't know what to expect at this one, as I have only ever been to a Fringe report, first Monday of the month meet up. It was structured slightly differently and in 2 halves. the first was all around in a circle, which grew and grew as more and more people turned up - some familiar faces, some not.
Greg spoke about the LFF vision for a couple of mins and then everyone introduced them selves and stated what it is they wanted to get out of coming to the meeting. Interestingly there were a lot of film types there, looking for work, crew, ides etc. Greg turns to me and says - it is OK for you to speak now... me... in a whisper, as the groups eyes were on me "ummm yeah... what about?" this was an unplanned speech.. ie i wasn't warned at all. Greg... in a whisper - "just about the importance of Fringe"... "oh righty ho..." and off I go, I have done this speech before, while talking at the many Brighton Fringe launches and events and for the Oxford Fringes premier launch.

I can hear myself talking and it sounds convincing, god only knows where the words are coming from... people seem to agree and like what i said so phew quite honestly! after that we all get a drink and mingle and talk, people want to talk to me about Hollywood, Henley and Brighton Fringes. Which is great and we all chat and chat till i can't no longer and i go....

Lovely evening for networking I recommend!

Thursday, 28 January 2010

28 Jan 2010 - BAFA away Day

Today we had an all day meeting to discuss the issues with how to move BAFA as an organisation forward.
Its a great membership organisation and it has a fantastic annual conference, I have been to 3 now and I love them. The most amazing Networking and relationship building there is to have on the UK festival scene

The 'away day' was structured by a mediator, who helped us all channel our thoughts and most importantly - stick to the agenda.

We got through a lot, by the end of the day we were all flagging and speaking slower. Great bunch of people, I wanted a vino after all that thought and planning skills.. but alas we all departed at 5 and I got on a train home.

On the board are...


Stewart CollinsArtistic Director, Henley and Petworth Festivals
Executive:
Juliet AbrahamsonArtistic Director, Cambridge Summer Music Festival
Jonathan HollowayArtistic Director & Chief Executive, Norfolk & Norwich Festival
Clair GreenawayExecutive Director, Cheltenham Literature Festival Cheltenham
George VassArtistic Director, Presteigne Festival of Music & the Arts
Caroline PeacockFestival Manager, Salisbury International Arts Festival
Dan WhitfieldHead of Artistic Planning, Aldeburgh Music
Jackie WestbrookMarketing & Communications Director, Edinburgh International Festival
Lindsey DearGeneral Manager, City of London Festival
Coopted:
Holly PaytonManging Director, World Festival Network
Sian ThomasArtistic Director of Celebrations

Wednesday, 20 January 2010

20 Jan 2010 - BAFA ACE

Today I am in London to meet up with BAFA (British Arts Festival Association) Kim & Lizzy the Administrators are so lovely and I am off to see their new office. It is so central yet so small, expected I would imagine due to Central London office space prices. It's lovely anyway and they are loving having their own space at last, after hot desking it for a few years.

We discuss the conference (last November) and start to think about the next one in Brighton. We also talk about how the World Festival Network fits in with BAFA and how we can help each other.

I walk from Trafalgar Square to the Arts Council England Offices, past downing street, the London eye, the river. I really didn't know that those 3 areas of London linked in together, amazing what you miss when you get the tube. It's a lovely sunny day so walking is good!

I have been taken on as an Arts Council Assessor, which means I get to go and see productions and tell the Arts council what i think of the experience, quality etc. Lovely job and lovely people doing it too. Cant wait to see what i am covering, on the pilot I found my self assessing Ralph Fiennes at the Chichester Festival theatre...


Monday, 18 January 2010

18 Jan 2010 - Brighton Board Meeting

I used to live in Brighton for 8 years and only moved out in 2008 so going down is always a pleasure, I get to see my friends, see my festivals and talk about how it's future looks. I call it 'my festival' it isn't mine, but I hold it so close to my heart as I was there at it's conception (as we know it today) in 2002 and ran it on my own until Nick came on board in 2005. We then jointly managed it till i left in 2008... but it's OK i went onto the board straight away so I haven't really left.

The future is Bright-on (sorry!). Heather, our chair, is so proactive and really bringing it forward with strategy and budgets etc. we are developing ideas and strategy's for everything at the moment, communication, marketing, staff, the office.... (they need a bigger one).

I feel it has really established itself on the Fringe map now, but it needs to more particularly for international performers and reputation.

Lovely Brighton!

Saturday, 16 January 2010

16 Jan 2010 - London Fringe

Went to meet the Organisers group for the new and coming up London Fringe. We met in the BFI bar on the sofas out the back, actually a great place to meet on a weekend during the day. It wasn't busy and they do great coffee!

I met Greg first, I have met him before, and we caught up on the structure, how it would work and the dates etc. I must admit his idea for the structure is 'different' but I am intrigued to see if it will work and looking forward to meeting the recruits.

The festival infrastructure is genre and award lead, so each person on the organisers group has a genre and will deal with enquiry from that type of performer. They will also head up, or be a part of the award that goes with that genre. All the organisers are voluntary and enthusiasts in their field.

I mainly sat and listened while this fiery and passionate group of people thrashed through a few issues (website, logo, marketing, funding etc)

I suggested, after 3 hours of talk, that we come up with what we all thought would be our 'next steps' (I have to call them this as Greg doesn't agree with the terms 'to do list', strategy or planning...) everyone had some work to get on with and we will feed back via group email on our progress.

One item on my 'to to list' (hehe) was to let the producers know that the festival was happening. to be honest I was itching to write some strategies, budgets, time lines, marketing & Business plans but if you can't write a to do list, you sure as hell can't write a business plan.

Greg's way of working is unique it's about what we should be doing NOW and where we should be NOW rather than always looking into the future and never getting there. If it works it will be great, he is excellent at talking the festival up and getting some amazing organisers, partners and venues.
London fringe is in August (same dates as Edinburgh - it's OK it's not against Edinburgh! it's so anyone who doesn't want to go to Scotland can do London and some performers can do both and make it a tour. I think there are enough performing company's to go round if you ask me) and it is one to watch! www.londonfestivalfringe.com



Sunday, 18 January 2009

18 November 2009 - Association of Independent Festivals – Networking meeting

18th November 2009
Association of Independent Festivals – Networking meeting
Walking into the very cool Miss Q bar somewhere in London, we almost missed the group of festival managers, programmers and suppliers, by sitting in another area of the bar, thinking we were the first here… Not so turn the corner where the bar opens right out and there are over 300 music weekender industry types. We put on our schmooze faces and head to the bar, desperate for a “Large red please – No any is fine” I’m not that fussy.
The first lady we meet was putting her coat into the cloakroom as we arrive, glamorous and trendy with very short hair, turns out she runs Hotel Bell Tent the Boutique camping at festivals like Glastonbury. Belle Tent creates a little oasis of luxury in the madness that surrounds. This could entice me back to Glasto after nine trips there since 1990 I was fast getting over the mud.
The music Festival industry is very different to the Arts festivals. On mass a clearly different type of person, but individually they all overcome and combat similar difficulties and strive for a similar goal. I have been invited to the AIF meeting by BAFA (British Arts Festivals Association, of which I am on the board) to try and find links between the networks and ways in which they could work more closely together. Tonight’s event was organised by the lovely Sharon, who once I met, felt like I had known her for years.
The night went well... Cath and I decided the best place to meet people is at the bar, so we propped it up drinking Gin and Tonics most of the evening. We met some great people in the industry from producers, agents and organisers.
We left late and trekked all the way to the other side of London to stay with Caths friend who lives in a flat owned by the Bow Arts Trust.
Next morning we need to be at the 02 Arena for the UK festival awards and conference...

Monday, 29 September 2008

29 Sept 2008 - Venue and Performers Manager, Edinburgh Fringe

29th Sept 2008
Venue and Performers Manager, Edinburgh Fringe

So 2 and half weeks later I was boarding a train back up to a quieter
Edinburgh then I had just left.
The first week I did some speed learning for the position, I had to learn the year schedule and every stage in 5 days. I am only here for 4 and half months so I have to understand all of it as I have to do a hand over to some one else.
Its a big job but not over whelming, I think I have been primed enough with 6 years in Brighton. And although there were many sympathetic looks from the people I told what Job I had taken, I actually think its a great challenge and not in the least bit scary. The thing is it feels more serious; there is a lot more budgeting, legal issues and dealing with people with real serious issues. Obviously in Brighton there are similar subjects but here there is so much more of it.

I have decided while I am here, to not only pay back the debt from running the Lodge this year, but to use the time wisely for self bettering... by this I mean no drinking, eating only green things (with in reason of course), exercise and getting back into
arts and crafts in the evening.

I did an Arts degree -
interactive arts, Manchester University - ask no more it is run by ‘acid casualty’ throwbacks from the 60's. Since the degree sapped the creativity from my very bones I have done less than 5 real pieces of artwork since and I graduated in 1999. So in my evenings in on my own I shall be trying to revive the inner creative.
I had a good weekend in Berkshire, it was like summer! The weather was glorious, the day started off misty and you could see hundreds of spider’s webs in garden, which were covered in dew. Then the sun came up, dried out the air and it was boiling.

I got very pissed the first night down; I think it was a relief to be off the train and also Alex’s mums birthday. I drank a lot of delicious red wine and apparently did a dance for Alex’s Nan in the kitchen to the ballads of HeartFM… needless to say Friday was just spend lounging around, we retired for he day!

Sunday, 28 September 2008

28 Sept 2008 - Venue and Performers Manager, Edinburgh Fringe

28th Sept 2008
Venue and Performers Manager, Edinburgh Fringe
I am now into the 8th hour of what is turning out to be a 9-hour journey home. Some one please remind me not to travel on a Sunday! I am on my way back to Edinburgh 8.08pm and if left my mothers house at 11.30 this morning.... harrumph!

This also marks my third week of being Venues and Performers manager at the Edinburgh Fringe - hence the reason I am Scotland bound.

One the very last day of the Edinburgh fringe this August I was offered this new position as Amber Rimmer (formally V&P manger) has left to join the circus and is now working in Melbourne for the Spiegeltent. What with a few other members of the Edinburgh Fringe leaving, after a difficult festival (ticket wise) I was asked to join the team.

I had about 4 days to give an answer to the offer and in those days I had to do the weary get out of the Roman Eagle lodge (venue 21)... I remember back to the get in when we practically bounded up the stairs, seating rake in hand and got it done in record time.... this time on the way out it was a very different story. This not helped by a very unhealthy hanger over; I was barley able to lift a chair down the stairs! on the way in I took 5 in one had and a piece of scaffolding in the other up 2 flights of stairs. The festival had once again taken its toll on our bodies.

Thursday, 21 August 2008

Edinburgh Fringe 2008 – World Festival Network Hub at the Roman Eagle Lodge

August 21 2008
Edinburgh Fringe 2008 – World Festival Network Hub at the Roman Eagle Lodge
So we are now on day 21 of the festival, which means it’s 27 days since I left home to and arrived in this festival Jungle. We have only 3 show days left and 2 days of get outs until I will be returning to Newbury and back to our own beds.
I am struggling against the ‘wind down’, which can arrive too early and sap all the adrenalin you had left to keep you going to the end. To combat this I am treating myself fairly kindly and not going out to late and getting too drunk… Sounds a bit dull I know but as I have said before this festival has been a whole new and more sensible experience.
The Lodge has been a huge success, most of the events we have had had larger than expected audiences and the attendees have really appreciated it. I have had some performers and company members who have come along to loads of events and have said how much they appreciate somewhere where they can learn and meet people.
The ITC had almost double their usual audience; the Fringe ‘How To’ workshops have been at capacity and the Big Bite-size breakfast show is now on its 8 consecutive sell out day. All in all a busy venue, I recon about 1600 people will have seen bite-size by the end of the run. So yay!!! snooooze….
I have had the most amazing help this year at the Lodge, some incredibly dedicate and hard working friends and family. First of all my sister Aimee came up for 5 days, then Cath (of Brighton Fringe) for 10, then Zoë (formally The Lodge and Brighton Fringe) for 5 and now my sister Lorna and her two mates for the final week. That’s not to mention Geoff (the only paid member of staff) and Alex my partner (I hate that word – I wish there was a word in-between partner and boyfriend, how about ‘boytner’???) who has been up here helping and filming for World Festival TV.
World Festival TV has been great; Alex has managed to interview some amazing people for ‘In the Chair’. We have had Simon Merrells from ‘On the Water Front’, Guy Masterson, who knows one man show and producing success for many years in Edinburgh. The cream de la cream though was Steven Burkoff who Alex tracked down to the Book Festival. We took ‘the chair’ (the interviews were conducted ‘In The Chair’) and parked it near the press tent. Burkoff agreed to the interview and as he came over I said ‘Hello Steven nice to meet you, thank you for coming over’ and I shook a very disappointingly limp handshake. He is one of the most famous people I have met (other than Mick Jagger, Michael Caine and Anika Rice) and its funny listening to an interview-pro. It seemed he half listened to the question, got the gist and talked about what he wanted. You can see the clip on http://www.yournews.itvlocal.com/Clip.aspx?key=F8927E988F9CC65D
It’s a good one!

Friday, 8 August 2008

August 2008 - Diaries of an Edinburgh Fringe Venue Manager

08/08/08
Diaries of an Edinburgh Fringe Venue Manager by Holly Payton at the Roman Eagle Lodge
So it is the 8th of August and I have been her for 14 days – two weeks exactly. So far the roller coaster has literally bought blood sweat and tears but also meetings, greetings, fun and silliness.
It’s the 14th day and today is the first time I went down the Royal Mile despite my venue being at the top of it… not sure how that has come about other than I haven’t really left the front doors of the Lodge accept in the morning when I arrive and at night when I leave. I also haven’t frequented my usual haunts either. I went to the obligatory first night of too much rose at the Spiegeltent but other than the fringe launch and the IF.comedy launch that’s it…. Now this isn’t the usual me, who spends the same amount of time in a fringe bar (mostly Udderbelly, Library, Assembly and Spiegeltent) as in my own venue; so what has happened?
I am testing out a new way of experiencing the Festivals in August and that is mostly sober and spending all my day and night in front of this computer.
I have changed the Roman Eagle Lodge from an all-daylong theatre venue to an Industry Hub. By this I mean I have created a space that is neutral to all festivals, in and outside the city, for the ‘ Arts industry’ and media to use. I have programmed in lots of workshops, talks, debates, networking events, seminars and of course a few carefully chosen theatre shows. We are also still programming as well.
The idea is to have a venue that is unique and somewhere people can come to make the most out of their Edinburgh experience. I have seen so many companies throughout the years that believe once they have arrived here in Edinburgh their work is done. They don’t know where to begin when it comes to networking, speaking to the right media and the promoters. The Fringe has Eileen at the festival offices, who is the font of all knowledge when it comes to this but she can’t possibly speak to everyone. When a company came to me saying they are lacking in audience and asking what should they do – I replied “well you know those flyers you had printed, you could try and hand them out!” the genuine response was of a penny dropping and them saying “that’s a really good idea”…. I was a bit bamboozelled… So, the aim of the Lodge is for it to be a haven for proactive performers, the media and festival staff.
went to an amazing talk by EUCLID this morning who were talking about how to tap into European funding. Fascinating and very inspiring, I had a brilliant idea about festival research, which I have started writing a proposal for.
The hard work has been due to my lack of staff. There are 3 of us, which means the get-in was really hard, things I couldn’t lift last year I can now just pick up with ease. There is normally a team of 10 lifting in the theatre rake, granted in the past we had a truss, stage and loads of scaff as well, but it was still hard.
After driving all the way from Reading on Saturday with Geoff and Alex we had to unload, then the next day attempt to find the container, holding the theatre rake, lights, scaff and loads more. The container lives year round on a farm out side Edinburgh, normally we get it dropped outside the venue but this year the Tattoo meant we couldn’t get a lorry close. It look longer than I thought to build the venue but now its done it looks amazing, The foyer is a red walled, carpeted, wireless internet café, the studio is an open conference and rehearsal room with an amazing photographic exhibition and the theatre is open staged, back dropped with beautiful wood panelled walls.
Bite-Size Breakfast Show is doing brilliantly. Every morning they serve up coffee, croissants and strawberries to a very healthy house. Theatre awakens the venue and leaves a perfect atmosphere throughout the day.
There isn’t really any gossip to speak of due to the lack of going out and getting drunk, the things I have heard I couldn’t possibly tell you. I am getting quite a lot of secrets from ThreeWeeks magazine who are based in what was the dressing room, and is now a news hub of reviewers, editors and podcasters.
It’s great having ThreeWeeks here as we get a constant trickle of people who are fresh off the shows. They know what’s hot, what’s really not, who’s the best and the worst. We get low down on good and bad press managers, all the reviewers know someone in a venue so gossip comes from there too; who’s a good boss, what venues are collapsing, which ones are thriving… hehe my ears and eyes are open, but being an integral and trust worth kinda gal – I will never gossip and tell.
So all in all its great, I have had one view out the venue for 9 days, I have un-blocked a poo loo, cleaned, hoovered, chatted, skatted, cried, smiled, laughed, gone to bed late, got up early but basically been getting into Edinburgh for the 6th year in a row.